choreography

"On the stage, the dancer finds himself almost by the way, he comes unnoticed, carelessly and calmly.  The focus is on his arms and legs, which move in seemingly random directions.  They fold for a while to one side, then to the other, as if their function and purpose were being explored.  However, all movements are precisely measured.  The body of the performer is used as a machine working in one rhythm.  Every now and then it stops, stutters, so that it can restart again, start up and continue its cyclical, rotational, linked and jerky movements.  Emotions are not important.  The key is detail, discovering and observing what is happening to the body here and now.  And the end comes as unexpectedly as the beginning.  Zahy finishes his dance, reaches the door, leaves the room and closes it behind him.  Applause in front of an empty stage seems like a pure formality.  When the dancer arrives, his aura is completely transformed.  It almost seems as if another body is dancing the whole time and the performer is just the demiurge of the action.  Maybe it really was.  And was the ending even necessary?" Mária Kobrlová 

https://www.tanecniaktuality.cz/recenze/festival-nove-generace-aneb-choreografove-a-tanecnici-v-jedne-osobe